comedy
85-Year-Old ‘My Man Godfrey’ Is a Crash Course in Comic Perfection
Gregory La Cava comedy ‘My Man Godfrey’ (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.
Read MoreHere Today (2021) EIFF Review
Bolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
Read MoreStarsky and Hutch (2004) Review
The ‘Starsky & Hutch’ movie reboot tried to offer nostalgia and fan service, as well as attract new fans, and with Todd Phillips at the wheel it made a fine effort. Katie Doyle reviews.
Read MoreComing 2 America (2021) Review
In 1988, Eddie Murphy and company captured lightning in a bottle for comedy classic ‘Coming to America’. Could they do it a 2nd time for sequel ‘Coming 2 America’? Scott Z Walkinshaw reviews.
Read MoreTom and Jerry (2021) Review
Is Tom & Jerry the best new comedy of 2021, or exploitation of nostalgia for profit? Is it worth getting a HBO Max subscription for? Chloë Grace Moretz stars, Jacob Davis reviews.
Read MoreThe Enduring Legacy of Stan and Ollie
Stan Laurel and Oliver Hardy were beloved by legions of fans and described by legends of comedy as the very best around. What makes Stan and Ollie such an enduring act? Louis B Scheuer explores.
Read More‘The Wedding Planner’ at 20 – Review
How does turn of the century rom-com ‘The Wedding Planner’ hold up at 20? Jennifer Lopez and Matthew McConaughey star, Libby Briggs reviews.
Read MoreChaplin’s ‘The Kid’ – 100 Year Anniversary Review
Charlie Chaplin’s seminal feature ‘The Kid’ was released 100 years ago in 1921, and remains a “gently thought-stirring 53 minutes of cinema” according to Joseph Wade in this review.
Read MoreHow ‘What We Do In the Shadows’ Reshapes the “Man Alone” with Vampire Cinema
Reassessing New Zealand cinema’s “man alone” trope for Taika Waititi’s much-loved vampire mockumentary ‘What We Do In the Shadows’. Essay by Jacob Davis.
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