Bottoms (2023) Review
Emma Seligman’s ‘Bottoms’ (2023) is a hilariously violent teen sex comedy co-written by co-star Rachel Sennott. This is a memorable satire that packs a punch. Review by Margaret Roarty.
Read MoreEmma Seligman’s ‘Bottoms’ (2023) is a hilariously violent teen sex comedy co-written by co-star Rachel Sennott. This is a memorable satire that packs a punch. Review by Margaret Roarty.
Read MoreThe long-awaited film adaptation of ‘Five Nights at Freddy’s’ (2023), starring Josh Hutcherson in a haunted family fun restaurant, proves fan service can only get you so far. Review by Margaret Roarty.
Read MoreGlen Powell stars and co-writes ‘Hit Man’ (2023), from ‘Dazed and Confused’ director Richard Linklater, “one of the most fun and original movies in years”. Review by Leoni Horton.
Read More‘Taylor Swift: The Eras Tour’ set box office records, and it is a theater-worthy experience. Swift uses the film to construct her artistic image and narrative. Review by Jacob Davis.
Read MorePriscilla Presley memoir “Elvis and Me” fits effortlessly into director Sofia Coppola’s cinematic canon. Cailee Spaeny and Jacob Elordi star. Review by Leoni Horton.
Read More‘The Killers of the Flower Moon’ is nothing short of a masterpiece from our greatest living filmmaker, Martin Scorsese. Leonardo DiCaprio, Robert De Niro and Lily Gladstone star. Review by Leoni Horton.
Read MoreJeff Nichols biker movie ‘The Bikeriders’ (2023), starring Tom Hardy, Austin Butler and Jodie Comer, wears its influences on its sleeve but tells a recognisable story with a fresh approach.
Read More‘The Exorcist: Believer’, from ‘Halloween’ director David Gordon Green, seems to apply the ‘twice as many kids, twice as scary’ logic to ‘The Exorcist’, much to its detriment. Review by Kieran Judge.
Read MoreDisney’s ‘Haunted Mansion’ (2023), starring LaKeith Stanfield at the head of an ensemble cast, is on Disney Plus. It’s hard to imagine it becoming a family favourite. Review by Martha Lane.
Read More‘The Old Oak’ (2023), the Palme d’Or-nominated “final film” of renowned director Ken Loach’s career, speaks truth to power. Ignore the naysayers. Review by Joseph Wade.
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