christoph waltz

Guillermo del Toro’s Pinocchio (2022) Review

Posted on by Sam Sewell-Peterson
Guillermo del Toro’s Pinocchio (2022) Review

‘Guillermo del Toro’s Pinocchio’ (2022) is a vivid and hard-hitting reimagining of a classic story, presented in stop-motion animation for Netflix. Review by Sam Sewell-Peterson.

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Schindler’s List, Inglourious Basterds: Cementing and Reclaiming History in Cinema

Posted on by Guest
Schindler’s List, Inglourious Basterds: Cementing and Reclaiming History in Cinema

Steven Spielberg’s ‘Schindler’s List’ and Quentin Tarantino’s ‘Inglourious Basterds’ prove that populist approaches can deal with horrific events with subtlety and introspection. Essay by Robert Mitchell.

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No Time to Die (2021) Review

Posted on by Sam Sewell-Peterson
No Time to Die (2021) Review

Daniel Craig says goodbye to the Bond franchise in Cary Joji Fukunaga’s ‘No Time to Die’ (2021), co-starring Lashana Lynch, Rami Malek, Léa Seydoux. Sam Sewell-Peterson reviews.

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It Just Might be His Masterpiece: Revisiting Tarantino’s ‘Inglourious Basterds’ Ten Years Later

Posted on by Guest
It Just Might be His Masterpiece: Revisiting Tarantino’s ‘Inglourious Basterds’ Ten Years Later

Will Quentin Tarantino ever top ‘Pulp Fiction’? Maybe he already has. Samuel Sybert breaks down the artistry behind the iconic director’s ‘Inglourious Basterds’.

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