2022 Film Reviews
X (2022) Review - Despite pacing issues and an unwillingness to engage with the time period, Mia Goth emerges as a star in Ti West's X (2022). Review by Margaret Roarty.
The Quiet Girl (2022) Review - Soft Colm Bairéad drama 'The Quiet Girl' (Irish: 'An Cailín Ciúin') is the first Irish film to ever be nominated for International Feature Film at the Oscars. Review by Sam Sewell-Peterson.
Brian and Charles (2022) Review - If you like deadpan delivery and surreal asides, you'll have a great time with British mockumentary 'Brian and Charles' (2022), from David Earl and Chris Hayward. Review by Sam Sewell-Peterson.
The Sea Beast (2022) Review - The Sea Beast, the classic combination of adventure, humour, a smart-alec kid, a reluctant adult, animal sidekick and a heart-warming lesson to learn. Review by Martha Lane.
Roald Dahl’s Matilda the Musical (2022) Review - The dance numbers are a fantastic spectacle and the songs are catchy and funny in 'Roald Dahl's Matilda the Musical' (2022), the live-action adaptation starring Emma Thompson. Review by Martha Lane.
White Noise (2022) Review - Noah Baumbach, the filmmaker behind 'Marriage Story', adapts Don DeLillo's "White Noise" into a timely and darkly funny Netflix Original film starring Adam Driver. Review by Emi Grant.
10 Highest-Scoring Films 2022 – The Film Magazine - The 2022 movies that have earned the highest-scoring reviews from The Film Magazine's team of film writers and established contributors.
Avatar: The Way of Water (2022) Review - James Cameron's sequel thirteen years in the making, 'Avatar: The Way of Water' (2022), looks "absolutely gorgeous" but lacks the originality of the first 'Avatar'. Review by Kieran Judge.
Cost of Living (2022) Short Film Review - Cinema and Social Justice Project short film 'Cost of Living' (2022) is an emotive contextualisation of our contemporary struggle through archive footage. Review by Joseph Wade.
Guillermo del Toro’s Pinocchio (2022) Review - 'Guillermo del Toro's Pinocchio' (2022) is a vivid and hard-hitting reimagining of a classic story, presented in stop-motion animation for Netflix. Review by Sam Sewell-Peterson.