Poor Things (2023) Review
Emma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
Read MoreEmma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
Read MoreMartin Scorsese 2013 film ‘The Wolf of Wall Street’, starring Leonardo DiCaprio, Margot Robbie and Jonah Hill, is a timeless reflection on American wealth. Review by Emi Grant.
Read More‘The Killers of the Flower Moon’ is nothing short of a masterpiece from our greatest living filmmaker, Martin Scorsese. Leonardo DiCaprio, Robert De Niro and Lily Gladstone star. Review by Leoni Horton.
Read MoreThirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreCeline Song offers one of the greatest debut features of all time in ‘Past Lives’ (2023), an achingly beautiful film starring Greta Lee. Review by Mark Carnochan.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreStill relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Read MoreDirector Wes Anderson may have been mimicked on TikTok a lot recently, but his latest film ‘Asteroid City’ is all the proof you need of his genius. Review by Margaret Roarty.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
Read More‘Jurassic Park’ turns 30. Steven Spielberg’s dinosaur classic movie avoids cliché, is driven by character, and is a genre-defining piece even now. Review by Martha Lane.
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